
Many years ago, Curtis McLaw was running a studio that
turned out soundtracks for movies and television commercials. Jay Heye was a TV
moderator just down the hall. The two struck up a friendship and discovered a
shared love for the funkier sounds of urban America. After experimenting in
McLaw’s studio 1, they decided to indulge that love by
launching a new group. The result was Blue Knights, authors of a string of popular
releases that routinely conquer the Progressive Jazz charts on both sides of
the Atlantic. The two Blue Knights complement each other almost perfectly.
McLaw, 40, is a guitarist and keyboard player with a strong rock background and
a magician’s gifts in the studio. (He is also one half of the instrumental duo
Dancing Fantasy, whose releases regularly top the New Age charts.) Heye has
played piano for all but five of his 33 years. Over that time, he has absorbed
influences as disparate as Quincy Jones, Prince and jazz great Oscar Peterson,
his pianistic hero. Add the rock- and blues-flavored guitar of Bill Joseph Flynn
and the expressive saxes and flute of Mr. P.T. and
you have the Blue Knights, edition 2000 - four good friends, four very
accomplished musicians. Like most Blue Knight releases, Night Talk is a joint
creation.
It should quickly be added that - again like all Blue Knights
releases - Night Talk establishes a pleasant, infectious groove from the
beginning and never loses sight of it, whatever the mood or tempo of a
particular cut. “Saturday Morning” sets the laid-back, upbeat tone from the
opening bars. Listen especially to Mr. P.T.’s nifty way with the main theme.
The title cut is a lovely ballad highlighted by Mr. P.T., this time on soprano
sax, supported beautifully by McLaw’s and Heye’s keyboard work. It’s surely one
of the outstanding cuts in a CD full of memorable songs. Consider “Dubai
Dance,” for instance, an funky nod to the exotic Middle East - or “Miami Groove”
with its strong, simultaneous hints of calypso and salsa over a funky urban
beat. Favorites anyone? If we were voting ours would probably be Jay Heye’s
gorgeous piano solo, “The Moon.” It’s righteous, romantic, lyrical - memorable.
It’s unique on the album - the only all-acoustic piece in a studio-wizard’s
world. Yet it fits marvelously, perhaps because it’s ultimately what the Blue
Knights are all about - beautiful music, beautifully played.
Produced by Curtis McLaw at Studio 1.
Curtis McLaw & Jay Heye (keyboards) Bill Joseph Flynn
(guitar) Mr. P.T. (saxophone, flute)
01. Saturday Morning (4.06) 02. Blue Train (4.42) 03. Vegaz Dance (4.07) 04. Night Talk (4.51) 05. Funky Bill (3.50) 06. Miami
Groove (3.37) 07. Smooth Night (4.06) 08. Paris-Texas (3.21) 09. First Date
(4.20) 10. Dubai-Dance (3.52) 11. Next Sunset (5.04) 12. Boogie 99 (3.22) 13. The Moon (4.50) 14. Marmaris-Out (4.03)